There’ll Be One Less Butterfly

One day in Spring of 2019, an oriole landed on a nearby branch with its next snack, a tiny caterpillar. As the oriole pondered how to fit this horizontal treat into its vertical beak, it moved its little head around, giving me a few angles that showed off the crawlie this way and that, and this was the best of them.

June 2, 2019. Nikon D7100 (DX sensor), Tamron 100–400mm lens at 400mm (35mm equivalent: 600mm), f/8, 1/500, ISO 560.

Monarch Photobomb

I love this photo because I spent a moment focusing on and composing and setting the shot of that butterfly that’s in good focus in the back, and just as I was pressing the shutter button, another monarch landed on that nearer milkweed flower and got in the way. Thanks to my aperture setting and lens choice, the nearby butterfly was defocused really nicely and it turned out to be a perfect accident.

July 25, 2020. Nikon D7100 (DX sensor), Tamron 100–400mm lens at 400mm (35mm equivalent: 600mm), f/8, 1/500, ISO 400.

Snack Time

A carpenter bee pauses for a moment in the Summer afternoon sun for a sip of nectar from a milkweed flower. Along with being a good capture of a moment in nature, the photo has a nice mix of colors and the depth of field is sharp across everything that matters and still pushes the nearby foliage into the background.

August 11, 2019. Nikon D7100 (DX sensor), Tamron 100–400mm lens at 400mm (35mm equivalent: 600mm), f/13, 1/180, ISO 1,100.

“Well, There Goes the Neighborhood”

“Hey, George.”

“Hi, Sam. How ya doing?”

“OK, OK — you know how it is. What’s going on over there?”

“Y’got me, Sam. Probably nothing that makes life better, though.”

“Amen, my friend. Well, I gotta run. I’ll see you later.”

“Yup. Say hi to the wife and kids for me.”

“Will do, buddy.”

June 12, 2011. Nikon D90 (DX sensor), 105mm Nikon macro lens (35mm equivalent: 155mm), f/5, 1/640, ISO 400.

Barren

Sometimes nature brings us unending beauty in the Fall and sometimes it quickly reminds us that the season is a transition to a long, cold Winter. Kudos to the three or four trees that hung on to their color as long as they did.

November 18, 2012. Nikon D90 (DX sensor), 70–300mm Nikon zoom lens at 70mm (35mm equivalent: 105mm), f/9.5, 1/250, ISO 500.

Howard

Three of Chicago’s El lines — the Red, Yellow, and Purple — converge at Howard Station on the city’s Far North Side. It’s full of siding to store out-of-service trains, loops to move trains from one track to another, tunnels to get trains past each other, and other necessities to keep connections open and trains moving. On the left side just above the center, you can see a six-car Purple Line train approaching the station platforms that are on the lower right, and an eight-car Red Line train has just left the right platform, where it discharged northbound passengers, to loop around so it can go back into southbound service on the other platform.

December 16, 2025. OnePlus 12 cell phone, 13.3mm focal length (35mm equivalent: 140mm), f/2.6, 1/350, ISO 50.

It’s All in the Technique

I personally think that some of the methods used to complete the attachment of this light to this pole may not follow common standards, but I acknowledge that I’m not a professional when it comes to this stuff.

September 5, 2009. Nikon D90 (DX sensor), DX 18–105mm lens at 105mm (35mm equivalent: 155mm), f/13, 1/1,250, ISO 1,250.

Light Dawns on Woodpecker Head

“Hey,” thought the red-bellied woodpecker. “There are no insects in these shingles, and come to think of it, am I not surrounded by trees here in this nature preserve?”

It looked around for a moment, confirmed that there were trees very close to this shelter that met none of its needs, and flew off.

October 9, 2021. Nikon D850 (FX sensor), Tamron 100–400mm at 400mm, f/6.7, 1/45, ISO 400.

Knock on Wood

The nature preserve I’ve been photographing at for many years has some shelters here and there, mostly with informational signs. One afternoon, a bored or desperately hungry red-bellied woodpecker really hoped that it might be able to score some tasty insects in those shingles. I was impressed with how it squeezed itself in there. Delicate yet determined.

October 9, 2021. Nikon D850 (FX sensor), Tamron 100–400mm at 400mm, f/6.7, 1/45, ISO 400.

Sprucing Up

Shortly after splashing about the nature preserve’s pond in the photo shown in “Breach” last May, that great blue heron preened some to make sure it was showing off all its finest Spring fashion.

April 15, 2023. Nikon D850 (FX sensor), Tamron 100–400mm at 400mm, f/8, 1/1,000, ISO 560.

Inbound

A nearby station shared by Amtrak and Chicago’s regional commuter train is in something of an industrial area; when I was headed out to the suburbs one weekend afternoon last Fall to spend some time with a friend, I brought the Nikon F5 along so I could finish a roll of film. I really wanted a composition that took in the industrial features as a train came in, and was pretty happy with this one. I also like how Tri-X rendered the clouds on a day that was slowly becoming more overcast and still kept some shadow detail.

October 10, 2025. Nikon F5, Kodak Tri-X 200, Tamron 100–400mm at 100mm, ISO 200, other exposure information unavailable.

Be Angy

“Beautiful you are.”

My neighborhood has a lot of features I really like, from prairie yards to dollhouses for kids to play with, and there are a few homes with baskets of chalk outside. Kids draw hopscotch grids and adults write self-help books, and as someone who was an editor for most of his 45-year career, I’m here to say that kids never need an editor.

August 10, 2022. Samsung S24+ cell phone, 5.4mm focal length (35mm equivalent: 26mm), f/1.8, 1/60, ISO 160.

Catching Some Rays

Part of the joy of flight for me is seeing light in so many new and different ways, and this scene — as some gaps in a mostly overcast sky let light through and the slight haze nearby showed off all its different intensities — is a perfect example. The people on the ground, likely very far away, probably had no idea that so very far above them, those weak sunbeams were so beautiful.

January 27, 2023. Samsung S24+ cell phone, 5.9mm focal length (35mm equivalent: 28mm), f/2, 1/330, ISO 25.

All the Light I Had to Work With

A waxing gibbous moon and an amber streetlight have a close encounter one night on a cold late Winter night. One of my favorite bits in this photo is the glow of the ventilation holes in the top of the streetlight.

March 11, 2019. Samsung S10+ cell phone, 6mm focal length (35mm equivalent: 52mm), f/2.4, 1/30, ISO 64.